The Proverbial Knife Fight in a Roman Phone Booth
Designers: Wray Ferrell and Brad Johnson
Player count: 2-4
Publisher: GMT Games
Things weren’t always peachy for the Romans during the IIIrd Century. For L years—as important families strove to carve themselves a place in History—civil war was a way of life, with mobs of ignorant peasants insisting on decent living conditions, vile barbarian hordes knocking (and sometimes doing quite a bit more) on every door they could find, and nowhere to buy an aurochs at a fair price.
In
short, the glorious Empire was going to hell in a handbasket—albeit a finely
woven one. And Time of Crisis invites
II to IV players to recreate those chilling days when even
thinking about becoming emperor was tantamount to a declaration of war.
The
game is played on a large map that shows just how far reaching the Empire had
become: from Hispania to Asia in the north (let’s not forget Britannia!), and all
the way from Africa to Syria in the south. Breaking away from most wargames,
the map in question is not laden with hexes: instead, military units—as well as
uncivilized barbarians—move between adjacent areas, some larger than others. Thus
is territory gained and lost, all in the name of a greater cause: posterity.
The
goal here is to accumulate as many legacy points as possible before the game
ends. Such points are mainly earned through the control of provinces and, oh, actually
being the Emperor.
Time of Crisis is a
deck-builder at heart. Everyone starts with the same basic deck of IX (rather
weak) cards. Each turn, players have the opportunity to ditch old cards from
their decks and purchase new, powerful ones. The cards come in III
flavors: red (for military actions), blue (for senate actions) and yellow (for
populace actions). Purchased cards go into your discard pile, to be put into
circulation the next time you run out of cards and need to reshuffle.
Ah,
but not so fast: cards are not drawn
from a player’s deck, but rather selected,
one by one. So every time you need to refill your hand to V
cards, you look through your deck and pick the cards you need. Of course, you
can give yourself a gorgeous, incredible hand for a turn or two, but then you’ll
have to contend with whatever leftovers are still available until you reshuffle
the whole thing.
Every
player turn starts with a random crisis that applies to everyone: it either
causes barbarians to pile up (and possibly unspool into neighboring regions) or
it unleashes a special event (from Inflation to the Plague, all the way to the
rise of a rival emperor who needs to be shown who’s boss). Then the player
whose turn it is plays any and all of the cards he selected at the end of his
previous turn.
Playing
a card enables its event (good for you, insufferable for your opponents) in
addition to yielding a number of influence points (from I for the basic cards, to
IV for the most powerful pasteboards in the game). Red
points make it possible for armies to grow, move, fight, and gently disperse
the occasional mob; blue points allow governors to seize control of rival
provinces; while yellow points increase support in a province (rendering the
aforementioned seizing more difficult), and generally make home a better place
by installing some militia, holding games (keeps the mobs busy) and building
improvements that perform a variety of useful tasks.
In
the meantime, armies clash and provinces change hands. (More than once.) Intermittent
attacks by barbarian hordes can screw up the best laid plans, but also provide
opportunities to rack up some quick legacy points. Because who can forget
leaders who administer memorable beatings to the unwashed masses?
Whoever
becomes governor of Italia also claims the Emperor’s throne, which effectively
doubles the legacy points awarded for his provinces at the end of each turn.
When
a player currently holding the title of Emperor reaches LX
legacy points, the round is played out, bonus points are awarded depending on
how many turns each player spent wearing the crown, and whoever is then showing
the most legacy wins.
WAR
PRODUCTION
The
equipment in the thin Time of Crisis box
fails to elicit any excitement on its own. The large map is pleasantly mounted
but will not stop anyone in their tracks: it just looks like a map in IV
colors. The cards are their usual GMT sturdy selves, with nice illustrations. The
unit counters feature silhouettes of Roman dudes, and there’s a bunch of dice. Player
aids present a wall of text; however they will later turn out to feature
everything you need to play without touching the rulebook). Only the box cover proves
to be arresting, and promises serious Roman action.
And
boy does the game deliver.
RULES
OF ENGAGEMENT
Not
to be outdone, the rulebook turns out to be deceiving in its own way. Wargamers
usually relish a heavy tome of rules to peruse; but in this case, the tome
turns out to sport a mere XX pages, half of which are devoted to an extended
example of play. This means that Time of
Crisis runs on just X pages, which I find astonishing. True, the text is
lacking in a few areas (Can a militia join an attack against a foreign army in
its province?) but it’s nothing an online search or II
won’t solve, and the depth of tense gameplay that is achieved with X
pages of rules is to be saluted.
The
“pick the cards you want” mechanism is fiendishly clever. It sounds like nothing,
but it changes the game dramatically. For one thing, your cousin Angus will
stop complaining about always getting a rotten draw. For another thing, you can
set up your political uprising (or your military conquest) to perfection: just select
the exact cards you’ll require to pull off your shenanigans on your next turn. Then
again, if you succeed, you know that your
opponent will be able to pick just what he needs to counterattack—unless the
relevant cards have already been used up, that is. (Yes, it pays off not to nap
while others are taking their turns.) In the end, a huge part of the fun lies
in divining what your adversaries will attempt, and then building the perfect
hand to both advance your own plans and thwart theirs. Of course, that’s easier
said than done.
The
only drawback to this card selection procedure is a fairly scripted opening:
since you can pick the cards you want, you can decide ahead of time what your starting
hand will look like, and there are combinations that definitely outrank others.
(It also makes the “refill your hand” part of each turn a little slower than in
other games, but it’ll only bog down the works on occasion, when someone’s on
the verge of seeing one of their precious provinces collapse. Muahahahaaa.)
FUN
FACTOR
Please
allow me to indulge in a thin slice of personal life.
A
couple of years ago, I attended a gathering where a volunteer armed with a
prototype copy taught the game to a small group of which I was part, and we
proceeded to play our first ever session of Time
of Crisis.
I
hated it.
There
was something dull in the whole proceedings, the cards weren’t exciting, it
felt like there was to nothing to do, combat was putting us to sleep… Both my
wargaming buddy and I emerged from the experience thinking we would not touch
that game again with a sharpened trident.
And
then something strange and wonderful happened.
GMT
finally published Time of Crisis, I
got my hands on a review copy, and against my better judgement, I started
reading the rules. Before long, I was texting my friend about how the game
seemed to be right up our alley, and how strange it felt to want to give it
another shot. To his credit, my partner in crime agreed to a do-over, and
within a handful of turns, we were grinning at each other, clearly enjoying
ourselves. So either the game had undergone a chrysalis-style transformation,
or the volunteer had seriously bungled his explanation, or a little of both—but
whatever it was, time had worked wonders and we were hooked.
The
game plays great with II, III or IV players, and although I do prefer to enter the arena
facing a full complement of adversaries, I will never turn down a head-to-head
request. It’s fun, tense and surprisingly deep, while remaining simple and fast:
unless you’re playing with bespectacled snails, you can expect a play time
between II and III hours.
PARTING
SHOTS
This
has to be a first for me, in III decades of boardgaming: a game that goes
from “man that sucked” to “can’t wait to play this again” in just a couple of
sessions.
Time of Crisis proves to be
that elusive, reasonably deep, multi-player wargame that drips with theme and
moves fast enough to reach a satisfying conclusion well within the confines of
an evening. Best of all, one player can teach the intricacies of the game to the
rest of the patricians in about XV minutes.
My
only serious complaint is akin to an unquenchable thirst: I want a larger
variety of cards from which to gradually build my deck. Now, I am are already hearing
rumors of an expansion coursing through the Empire, so the gods must be
listening…
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